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2024 Annual Bohdan Medwidsky Memorial Lecture
April 5 @ 3:00 pm - 5:00 pm
Free
Title: Folklore of Anger: Systemic Vernacular Imperialism and Ukrainian Responses to the Full-Scale Invasion of Ukraine by Russia
Presenter: Dr. Mariya Lesiv
Bio: Mariya Lesiv is an Associate Professor of Folklore and current Head of the Folklore Department at Memorial University. She is the author of The Return of Ancestral Gods: Modern Ukrainian Paganism as an Alternative Vision for a Nation published by McGill-Queen’s University Press in 2013. Her work on belief and politics, religious folklife, diasporic culture, and folk art has also appeared in edited volumes as well as scholarly journals, including Anthropologica, Journal of American Folklore, Ethnologies, Western Folklore, and Folklorica. With Jeanmarie Rouhier-Willoughby, she recently co-edited a special issue of Folklorica devoted to folklore and protest. Mariya is a recipient of a Social Studies and Humanities Research Council of Canada Insight Development Grant for her fieldwork-based project “HostRegion: PostSocialist Diaspora Communities in Newfoundland,” devoted to recent immigrants to the province from the former Socialist countries of Eastern Europe and Central Asia. Mariya is a former President of the Folklore Studies Association of Canada and current President of the Slavic, Eastern European, and Eurasian Folklore Association.
Date: April 5, 2024 | 3PM (MDT)
Location: BUS 3-05, Alberta School of Business, University of Alberta, 11211 Saskatchewan Dr NW, Edmonton, AB T6G 2R6
Description of Presentation:
War produces intense emotions that are frequently expressed in creative ways. The full-scale invasion of Ukraine by Russia has resulted in numerous such expressions communicated on the Internet. Frequently rooted in traditional curses, the Ukrainian folklore of anger may be disturbing to many Western outsiders who treat tolerance, positivity, and niceness as societal virtues. In line with a folkloristic approach rooted in the understanding of insider perspectives behind creative practices, I look at war-generated folklore by contextualizing the voices of its performers, namely, people directly affected by the Russian aggression. The concept of Russian systemic vernacular imperialism, as historically manifested in smaller-scale imaginaries and acts – in the words and behaviours of regular citizens – and its role in fueling the ongoing war can shed some light on complex human emotions in traumatic contexts. It can also contribute to ongoing scholarly efforts to decolonize regional studies involving Ukraine and other countries that have historically operated under the Russian orbit.
